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The Casual Vacancy, by J.K. Rowling
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When Barry Fairbrother dies unexpectedly in his early forties, the little town of Pagford is left in shock. Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty fa�ade is a town at war. Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils…. Pagford is not what it first seems. And the empty seat left by Barry on the town’s council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations? Blackly comic, thought-provoking and constantly surprising, The Casual Vacancy is J.K. Rowling’s first novel for adults.
- Sales Rank: #105602 in Books
- Published on: 2012-09-27
- Released on: 2012-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.50" w x 6.38" l, 1.85 pounds
- Binding: Hardcover
- 503 pages
From Publishers Weekly
On the face of it, Rowling's first adult book is very different from the Harry Potter books that made her rich and famous. It's resolutely unmagical: the closest thing to wizardry is the ability to hack into the amateurish Pagford Parish Council Web site. Instead of a battle for worldwide domination, there's a fight over a suddenly empty seat on that Council, the vacancy of the title. Yet despite the lack of invisibility cloaks and pensieves, Pagford isn't so different from Harry's world. There's a massive divide between the haves and those pesky have-nots—the residents of the Fields, the council flat that some want to push off onto Yarvil, the county council nearby. In tiny Pagford, and at its school, which caters to have and have-nots alike, everyone is connected: teenager Krystal Weedon, the sole functioning member of her working-class family, hooks up with the middle-class son of her guidance counselor; the social worker watching over Krystal's troubled mother dates the law partner of the son of the dead Councilor's fiercest Council rival, who also happens to be the best friend of Councilor Barry Fairbrother; Krystal's great-grandmother's doctor was Fairbrother's closest ally; the daughters of the doctor and the social worker work together, along with the best friend of Krystal's hookup; and so on. When Fairbrother—born in Fields but now a middle-class Pagforder and one of the few people who can deal with the obstreperous Krystal—dies suddenly, the fight gets uglier. Rowling is relentlessly competent: all these people and their hatreds and hopes are established and mixed together. Secrets are revealed, relationships twist and break, and the book rolls toward its awful, logical climax with aplomb. As in the Harry Potter books, children make mistakes and join together with a common cause, accompanied here by adults, some malicious, some trying yet failing. Minus the magic, though, good and evil are depressingly human, and while the characters are all well drawn and believable, they aren't much fun. Agent: The Blair Partnership. (Sept. 27)
From Booklist
J. K. Rowling has said that she considered writing The Casual Vacancy under a pseudonym. Had she done so, Rowling probably would have learned what it’s like to be a midlist author—unpublicized, unnoticed, and unhappy. Like many midlist titles, this one is perfectly fine, but in no way outstanding. Set in Pagford, a picturesque West Country village, this very British book has a clever, if arcane, centerpiece: a casual vacancy, an opening on the village council. When Barry Fairbrother drops dead of an aneurysm, his death sets off a chain reaction. A strong supporter of keeping a poor council estate as part of Pagford (he grew up there), Fairbrother is opposed by a smug, controlling businessman (Vernon Dursley, writ small) who wants to rid the village of the “undesirables.” Fairbrother’s demise causes a crisis at the council and in the personal lives of many, including a teenager to whom he gave a helping hand. As everyone knows, Rowling is very good at creating worlds, and here she effectively shows the stifling (for some) and satisfying (for others) constraints of village life. Somewhat less successful are her characters, who wouldn’t seem out of place in a British soap opera: not surprisingly, it’s her several teen characters, the tortured and the torturers, who jump most from the page. As for her prose, well, that was never Rowling’s strong suit, and it lumbers more than it soars. To give credit where it’s due, one of the world’s richest women wrote her book and is willing to take the critical lumps when she didn’t have to do anything more than stay home and count her money. She must like to write. --Ilene Cooper
Review
Praise for THE CASUAL VACANCY:
"I had come under the spell of a great novel....A big, ambitious, brilliant, profane, funny, deeply upsetting and magnificently eloquent novel of contemporary England, rich with literary intelligence....This is a deeply moving book by somebody who understands both human beings and novels very, very deeply."―Lev Grossman, Time
"A vivid read with great, memorable characters and a truly emotional payoff....Rowling captures the humanity in everyone, even if that humanity is not always a pretty sight."―People
"This book represents a truckload of shrewdness.... There were sentences I underlined for the sheer purpose of figuring out how English words could be combined so delightfully....genuinely moving."―Washington Post
"A positively propulsive read."―Wall Street Journal
"An insanely compelling page-turner....The Casual Vacancy is a comedy, but a comedy of the blackest sort, etched with acid and drawn with pitch....Rowling proves ever dexterous at launching multiple plot lines that roar along simultaneously, never entangling them except when she means to. She did not become the world's bestselling author by accident. She knows down in her bones how to make you keep turning the pages."―The Daily Beast
"There are plenty of pleasures to be had in The Casual Vacancy....Parts of the story would be tonally of a piece with any Richard Price or Dennis Lehane novel, or an episode of The Wire."―Parade
"Rowling knows how to write a twisty, involving plot....She is clearly a skilled writer."―The Huffington Post
"The Casual Vacancy is a complete joy to read....a stunning, brilliant, outrageously gripping and entertaining evocation of British society today."―The Mirror (UK)
"Rowling has written a grand novel...a very brave book."―The Bookseller (UK)
"A study of provincial life, with a large cast and multiple, interlocking plots, drawing inspiration from Elizabeth Gaskell and George Eliot...The Casual Vacancy immerses the reader in a richly peopled, densely imagined world...intelligent, workmanlike, and often funny."―The Guardian (UK)
"The Casual Vacancy, JK Rowling's first adult novel, is sometimes funny, often startlingly well observed....Jane Austen herself would admire the way [Rowling] shows the news of Barry's death spreading like a virus round Pagford."―Telegraph (UK)
Most helpful customer reviews
1362 of 1440 people found the following review helpful.
Brilliant, Disturbing, Not for Everyone
By Simply Keith
Having read some of the more negative views, I have to say this: Would you have ranked "1984", "The Bluest Eye", "The Grapes of Wrath", or "Great Expectations" so badly? Guess what, some of the best stories aren't fun-filled light reading! Some of the best works are disturbing, even sad. So, if your view of literature is that a book can only be worthwhile if you can breeze through it having a fun adventure, then don't bother with this book. This is something else entirely.
That said, "The Casual Vacancy" is a disturbing character study. It is written in third-person omniscient point of view. It does require some effort to handle a story with some 18 or so viewpoint characters, so this book will be at too high a reading level for some. I normally don't like the omniscient POV, but this story had to be told that way and Rowling handles it with expertise.
So, what is this book about? It is about pain and cruelty and why people become cruel. There are no traditional protagonists or antagonists, just people going through life. Rowling explores the various ways that people become cruel, angry, or jaded with each main character showing a different form of cruelty and a different reason for it. And, this book is about the people that get hurt by other people's pain and anger.
This isn't an easy book to read, probably the reason so many have reviewed it negatively. But, this is a brilliantly written book, just not for everyone.
This novel is written with a seldom-seen narrative structure. In this structure the story begins with a simple, perhaps commonplace, connection between a group of people (in this case, someone dies, which has some effect on each of these characters). The narrative then explores how each character's life led him or her to be present for that connecting event and then the character moves on past the single event. As this structure is used for a character study, the connecting event may not even be particularly important. Instead, we see a collection of interconnected characters as the main thrust of the novel, rather than a single story unfolding. In this case, we follow how the death at the beginning of the novel affects approximately 18 characters.
I highly recommend this book to those who want to read something thought-provoking and actually about the real world. But, if you want some light reading that you don't have to think about, then stay away from "The Casual Vacancy".
To those who reviewed it negatively because it wasn't like Harry Potter, I can only ask whether they were paying attention. Rowling explored many of these themes, hidden behind the window dressing of fantasy, in those books. That is why Harry Potter was not just another of the countless stories about magical children. She continues this exploration in "The Casual Vacancy", but without the magic and without the restrictions of children's literature.
Edited to add: I realize that Rowling has described this as a dark comedy. I don't know why she has said that. Perhaps she had intended this to be a comedy, and there are some satirical scenes, but it grew into something else as she developed and revised it. Whatever the case, I saw very little that was humorous in this book. I did greatly appreciate the book, but I don't know why she would claim it was a comedy, dark or otherwise.
335 of 353 people found the following review helpful.
From someone who has read this book and appreciated it as a stand-alone novel, drawing no comparisons to Harry Potter.
By Gini
I am an avid reader, however I never make reviews of the books I read on amazon, this is the first one I am posting. I felt that I needed to do something to try and fight back against all these unwarranted 1 star reviews (which I have read through, and find their points appalling).
The first thing is that even when people are saying that they are not comparing this novel to Harry Potter, they clearly are. Harry Potter is a fantasy series that is heavily plot driven and was originally targeted at children. The Casual Vacancy is a book based on several months in one setting focusing on the lives of a group of people. So my first piece of advice is read the blurb. J. K. Rowling clearly defined what this book was about from the very beginning; so if you are not someone who will enjoy this genre of novel, even if you do love Rowling, don't read it. It is not comparable in anyway to Harry Potter, so why are people who obviously do not like books dealing with current issues and want to read about some hero overcoming evil bothering to read it at all.
Secondly I have read a lot of people complaining about the characters because they are not likeable. I, however, found them very entertaining and am sad to have parted with them. They are not likeable in the sense that I approve of their actions and I think they are good people, but they are extremely vivid characters that you feel like you know and can envisage perfectly. The characters are all quite self-centred and fail to think about anything other than their own betterment. Why is everyone whining about this? Am I the only person who has had any experience with people in the real world? Many, many people are like this. Their world revolves around "the self", they are wrapped up in a tight little bubble of "me, me, me" and do not see the ways in which they could improve the lives of others. So even if they are unlikeable, their concerns and attitudes (after learning of their personal life circumstances) are actually quite realistic.
It is through these characters and their self-centredness that Rowling explores many current issues that are very contentious and I feel like she does this very well and very realistically. Not every protagonist is made of sunshine and rainbows, and when Rowling released this book she made it clear that it was not about a hero on a mission. This book is about everyday people dealing with everyday issues and their lives in a small town. Even if the characters are not likeable they all have something that can be related too. She deals with issues like abuse, neglect, health issues, marriage and relationships, first loves, suicide, people on both ends of the socioeconomic spectrum and many others. If such topics are not ones that interest you then this book is not for you. I feel that too many people have picked this up simply because she is J. K. Rowling; so make sure that you are interested in the matters she is dealing with here before reading it. Perhaps a pen name would have invited better feedback because then people would have read this book because of the story, rather than the author.
Despite the very different type of tale this is to Harry Potter it still carries Rowling's wonderful way with words. She describes things vividly and callously and she makes the town and the people come to life. After reading this book I feel like I know Pagford so well that I should stop by there next time I am in England, even though it is a fictional town. This is how well she describes it. She uses her usual humour to make boring situations interesting and descriptions of plain things exciting.
I feel that J. K. Rowling should be given the full credit she deserves for writing this book. It is an individual entity and deserves to be judged as such. Readers need to stop comparing this to Harry Potter or J. K. Rowling and just take it for what it is. So please, rather than reading it because of the author and then giving poor feedback because it wasn't for you, acknowledge what this book is actually about before you pick it up.
Personally, I found it to be a very interesting read and it has provided me with many things to think about regarding today's society in Western countries.
1752 of 1890 people found the following review helpful.
Peyton Place meets PG Wodehouse. (Yes, I read it. No, I haven't read HP.)
By just another bookworm
Throwing in my two cents as one of the few people on the planet who hasn't read the HP series. (My kids were the perfect age as the books came out: young enough to love them, old enough to read for themselves.) I pre-ordered THE CASUAL VACANCY and inhaled it the minute it hit my Kindle mainly (I will admit) because it's a remarkable moment of publishing history, but I was quickly drawn into the story. The characters are people I already know, because they are the people we all already know. In the end, I liked this book on its own merits. And I liked it a lot.
Rowling is a terrifically strong writer; you can't fault her on craft, and I like that she doesn't feel the need to do any acrobatics or post a billboard - THIS WAY TO THE BRILLIANT WRITER - on every page, as is the irritating case in a lot of literary fiction. If you're able to set aside the JK ROWLING of it all, you'll love or hate this book on the strength of what it says about people. Folks. Relationships that are the opposite of magic. Politics that are petty. The youthful compulsion to crusade - at any age - and the crusty compulsion to squash the crusading of others.
Early on, it's noted that Samantha "enjoyed [Miles'] pomposity with precisely the same spirit as she liked, on formal occasions, to wear a hat," and Rowling is able to enjoy the faults of these characters the same way. These are the characters Franzen would write if he had more tenderness and less literary dyspepsia. Observations about resonant, everyday dynamics - conversational currency, backhanded charity, the lie of self-sacrifice - are made with more wry than sly and not a whiff of self-righteousness.
This is a quiet book; some will say cozy, but I think there's enough edge to prevent that. I loved the dry Britcom humor. A thousand little understated zingers make THE CASUAL VACANCY a pleasure to read in the way that the Mapp and Lucia books are a pleasure. As life unravels for the people of Pagford, we have a goldfish bowl view, but that understated tone keeps things from going totally soapy.
A book that kept coming back to me as I read was Joseph Heller's Something Happened. I can't think of another instance where an author from whom so much was expected took on the profoundly risky task of reminding us that there is nothing more human than the mundane.
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