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Hollywood and the Mob: Movies, Mafia, Sex and Death, by Tim Adler
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- Sales Rank: #3026980 in Books
- Published on: 2008
- Format: Import
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .71" w x 5.08" l, .52 pounds
- Binding: Print on Demand (Paperback)
- 288 pages
Most helpful customer reviews
2 of 4 people found the following review helpful.
Smart, Fast and Grimy
By Kimberley Ballantyne
A very succinct overview of the insidious, financially complex and mutually dependent relationship between organized crime and Hollywood from the early twentieth century till now, starring all the usual suspects: Al Capone, Bugsy Segal, Meyer Lansky, Sam Giancanna, Jimmy Hoffa, Joseph Kennedy, JFK, George Raft, Frank Sinatra, Lana Turner, Marilyn Monroe, etc and a quite a few more scuzz balls you possibly haven't heard of. The labyrinthian financial ties, the pervasiveness of the mob and its entrenchment at every level of Hollywood's infrastructure from labour unions to marriages, boardrooms to bars, demonstrates that far from being on the fringe of Hollywood activity, the mob were firmly embedded in it. As well as detailing the history of mob intervention and influence, the book parlays the thesis that Hollywood shaped mob culture just as the mob shaped Hollywood product. This is a smart, fast, grimy book with a lot of the financial backstory that is missing from the more glamorous reframings of the mob/Hollywood connection. It demystifies the gangster and presents the motley assortment of miscreants that make up organized crime in the US in such a way, that for the first time ever in a book on gangsters, I found them seriously repulsive. There is nothing redeeming in Tim Adler's depiction of the mob world and its denizens and not much to admire in the Hollywood echelon either. The bleak reality depicted reflects yet again on the hollowness of so much of US culture...and if you don't believe me...read the book.
1 of 3 people found the following review helpful.
Worth a look but not the final word
By The Historian
After his book The Producers, Tim Adler has had a go at the history of organised crime influence in Hollywood, this is fair book with plenty of information but sometimes it paints too broad a brush as he seems to see OC all over the place in Hollywood. Certainly though it was a force to be reckoned with but l doubt it reached into every corner as the author sometimes seems to overestimate the Mob's influnce. The Movie Industry could do plenty of illegal and nasty things on its own without The Mob.
There is no doubt though that The Mob supplied prohibition booxe and trafficked addictive drugs to actors and others in the industry and provided plenty of gambling dens! Blackmail and extortion was also in on the act.
There is plenty of anecdotes about actors and the movie moguls who oversaw their careers. George Raft certainly had mob friends like Benny Siegal but was no pushover himself. James Cagney described Raft as the toughest actor in the business and was an ok type of guy! Luciano, Siegel, Lansky, Bioff, Nitti, Ricca and the usual suspects are mentioned freely in the book. The book claims that Thelma Tood was killed by The Mob and the evidence is convincing.
Where The Mob really got hold of Hollywood by the proverbials was in the control it had had over many unions associated with the movie business like the Teamsters and Cinema Projectionists unions. But many unions fought back against the mob and movie mogul's influnce and many were sucessfull! Eventually the Mob overreached itself and a few major members of the Chicago Mob went to jail in 1943 for thier illegal activities in Hollywood. The only Hollywood mogual who fell was Joe Schenck. It was the IRS who caused the most problems for The Mob in Hollywood, certainly not the FBI.
Anyway this book is worth a look! Also have at a look at Hollywood Confidential by Ted Schwarz.
1 of 1 people found the following review helpful.
Dull read, questionable facts
By D.S.Earning-Reader
Adler has clearly spent a lot of tome researching this book, but unfortunately to little avail. The majority of 'evidence' he bases his work on is tenuous at best - luckily for him nearly all his subjects are now dead so he hasn't had to deal with any law suits (lucky or planned?!). All of this might be half-way forgivable if the book was well written but the writing style is hackneyed and I lost the thread of what he was talking about in a number of places. Anyone who's seriously interested in this subject should check out some of the many other excellent books and documentaries out there instead (The Mob: From Hollywood to Vegas documentary series is a good starting place).
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