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Metrics and Models in Software Quality Engineering, by Stephen H. Kan

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If you need to understand how to measure software quality and how to use measurements to improve your software development, you will want to have a copy of this book. Metrics and Models in Software Quality Engineering provides the information and teaches the skills you need to measure and improve the quality of the entire software development process from high-level to low-level design, as well as all phases of reliability. Joining action plans with actual project experiences, this book focuses on using - not just describing - metrics. It provides detailed coverage of essential issues and techniques, including software metrics, software reliability models, and models and analysis of program complexity. Metrics and Models in Software Quality Engineering goes even further, discussing such topics as in-process metrics, defect removal effectiveness, customer satisfaction, and more. Numerous real-life examples, many taken from the author's experience as the software quality focal point for IBM's Baldrige Award-winning AS/400, show you how to put the theories and techniques to work. The book also contains examples from such major computer companies as Hewlett-Packard, Motorola, and the NASA Software Engineering Laboratory. This excellent balance of theory, techniques, and examples makes for a highly-instructive and practical book on one of the most important topics in software development. "I've devoted considerable space to Kan's Metrics and Models in Software Quality Engineering because I believe it is an important book that bridges the worlds of industrial statistical process control and software engineering. The AS/400 software is a large, complex and very successful product for IBM. Kan provides insights into the methods IBM used to control the quality in this project which provide lessons that we would all do well to study." -Software Development "The concise and clear explanation of function point counting is a jewel. Metrics and Models in Software Quality Engineering If you are looking for just one book on metrics, this is a good choice." -The Northwest C++ Users Group newsletter 0201633396B04062001

• Sales Rank: #1003431 in Books
• Published on: 1994-12
• Original language: English
• Number of items: 1
• Dimensions: .60" h x 6.44" w x 9.28" l, 1.78 pounds
• Binding: Hardcover
• 344 pages

From the Back Cover
Joining action plans with actual project experiences, this book focuses on using - not just describing - metrics. It provides detailed coverage of essential issues and techniques, including software metrics, software reliability models, and models and analysis of program complexity. Metrics and Models in Software Quality Engineering goes even further, discussing such topics as in-process metrics, defect removal effectiveness, customer satisfaction, and more. Numerous real-life examples, many taken from the author's experience as the software quality focal point for IBM's Baldrige Award-winning AS/400, show you how to put the theories and techniques to work. The book also contains examples from such major computer companies as Hewlett-Packard, Motorola, and the NASA Software Engineering Laboratory.

This excellent balance of theory, techniques, and examples makes for a highly-instructive and practical book on one of the most important topics in software development.

"I've devoted considerable space to Kan's Metrics and Models in Software Quality Engineering because I believe it is an important book that bridges the worlds of industrial statistical process control and software engineering. The AS/400 software is a large, complex and very successful product for IBM. Kan provides insights into the methods IBM used to control the quality in this project which provide lessons that we would all do well to study." -Software Development

"The concise and clear explanation of function point counting is a jewel. Metrics and Models in Software Quality Engineering If you are looking for just one book on metrics, this is a good choice." -The Northwest C++ Users Group newsletter

About the Author
Stephen H. Kan is Senior Technical Staff Member (STSM) and a technical manager in programming for IBM in Rochester, Minnesota. As process manager of the quality management process in product development for IBM's eServer iSeries software development, his responsibilities include quality goal setting, supplier quality requirements, quality plans, in-process metrics, field quality status, and quality and project assessments. Dr. Kan has been a faculty member of the Master of Science in Software Engineering program at the University of Minnesota since 1998. He is certified by the American Society for Quality as a Quality Engineer, a Reliability Engineer, and a Quality Manager, and by the Project Management Institute as a Project Management Professional. 0201633396AB08212002

Excerpt. � Reprinted by permission. All rights reserved.
Looking at software engineering from a historical perspective, the 1960s and earlier could be viewed as the functional era, the 1970s the schedule era, and the 1980s the cost era. In the 1960s we learned how to exploit information technology to meet institutional needs and began to link software with the daily operations of institutions. In the 1970s, as the industry was characterized by massive schedule delays and cost overruns, the focus was on planning and control of software projects. Phase-based life-cycle models were introduced and analysis, like the mythical man-month, emerged. In the 1980s hardware costs continued to decline. Information technology permeated every facet of our institutions and also became available to individuals. As competition in the industry became keen and low-cost applications became widely implemented, the importance of productivity in software development increased significantly. Various cost models in software engineering were developed and used. In the late 1980s, the importance of quality was also recognized.

The 1990s and beyond is certainly the quality era. With state-of-the-art technology now able to provide abundant functionality, customers demand high quality. Demand for quality is further intensified by the ever-increasing dependence on our society on software. Billing errors, large-scale disrupted telephone services, and even a missile failure during the Gulf War can all be traced to the issue of software quality. In this era, quality has been brought to the center of the software development process. From the standpoint of software vendors, quality is no longer an advantage factor in the marketplace; it has become a necessary condition if a company is to compete successfully.

Measurement plays a critical role in effective software development. It provides a scientific basis for software engineering to be a true engineering discipline. This book describes the metrics and models in software quality engineering: quality planning, process improvement and quality control, in-process quality management, product engineering (design and code complexity), reliability estimation and projection, and analysis of customer satisfaction data. Most measurement books take an encyclopedic approach in which every possible software measurement is included. This book confines its scope to the metrics and models on software quality. Areas such as cost estimation, productivity, staffing, and performance measurement, for which numerous publications exist, are not covered.

This book is intended for use by software project managers, software development managers, software engineers, software product assurance personnel, and students in software engineering and in management information systems. It provides practical guidelines and examples in the practice of quality engineering in software development. Although equations and formulas are involved, the focus is on the understanding and applications of the metrics and models (rather than mathematical derivations). Throughout the book, numerous real-life examples are used from the development of the IBM Application System/400 (AS/400) at IBM Rochester, Minnesota, and from other companies in the software industry. (IBM Rochester won the Malcolm Baldrige National Quality Award in 1990 and became ISO 9000 registered in 1992.) Chapter 12 details a case study of the AS/400 software quality management system and provides links with the AS/400 examples in previous chapters.

Chapter 1 discusses the definition of software quality and the total quality management framework. Chapter 2 reviews various development process models that are used in the software industry and discusses the process maturity framework and several quality standards. Chapter 3 examines the fundamentals in measurement theory, which are very important for the practice of software measurement. Chapter 4 presents the major software quality metrics associated with the software life-cycle phases, describes the metrics programs of several large software companies, and discusses software engineering data collection. Chapter 5 describes the application of the basic statistical tools for quality control, known as Ishikawa's seven basic tools, in software development. Chapter 6 examines the central concept of defect removal effectiveness, its measurements, and its role in quality planning.Chapters 7 through 10 cover the three categories of software quality engineering models, each of which is intended for a separate purpose: (1) the reliability models for quality assessment and projection (Chapter 7 on the Rayleigh model and Chapter 8 on the exponential distribution and the reliability growth models), (2) the quality management models for managing quality during the development process (Chapter 9), and (3) the complexity metrics and models that can be used by software engineers for quality improvement in their design and implementation (Chapter 10).

Chapter 11 discusses the measurement and analysis of customer satisfaction data. Chapter 12 describes the software quality management system that was used for the development of the AS/400 computer system. This chapter explicitly or implicitly refers to the approaches, methods, metrics and models, and AS/400 examples discussed in previous chapters. Finally, Chapter 13 provides several observations with regard to software measurement in general and software quality metrics and models in particular, and offers a perspective on the future of measurement in software engineering.

I would like to thank Richard Hedger, David Amundson, and Kathy Dunham for their continuing support and encouragement during the preparation of this book. Thanks are also due to my former and present colleagues, especially Lionel Craddock and members of the department of the development quality and process technology at IBM Rochester., for the many informal discussions and insights on the subject of software metrics. I also thank the Technical Vitality program at IBM Rochester for providing editing assistance.

I am thankful to the reviewers, particularly Dr. Brian Eck of the Juran Institute, Richard Hedger of Quality Software Technologies, Inc., Dr. Alan Yaung of IBM Westlake, Texas, Lionel Craddock of IBM Rochester, Dr. Wei-Tsek Tsai of the University of Minnesota, and James Abraham of Skill Dynamics, Inc. They contributed many constructive suggestions. Thanks are also due to authors, journals, and publishers who granted permission to reproduce some of the figures and examples used in the book; acknowledgments are specified individually in the book.

Stephen H. Kan, Ph. D.
Rochester, Minnesota
August 1994

0201633396P04062001

Most helpful customer reviews

44 of 45 people found the following review helpful.
Excellent overview of software quality metrics
By Jennifer Booker
I use this to teach a class on metrics for Drexel University.The material is inherantly dry, but Kan covers it clearly and well. Agood balance is struck between product metrics (e.g. reliability) and broader metrics (customer satisfaction).

0 of 0 people found the following review helpful.
Five Stars
By Joseph P. Sener
Very helpful

6 of 11 people found the following review helpful.
Simply the best
By A Customer
This is the best software engingeering metrics book.
It is great for beginners or experts. It is also very
readable.

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[I644.Ebook] Get Free Ebook Periodontics: Medicine, Surgery and Implants, 1e, by Louis F. Rose, Brian Mealey, Robert Genco

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This definitive book presents the medical and surgical aspects of periodontics in full color, organized to coincide with topics in the AAP's Vision 2020 Objectives. It offers strong theory and concepts, as well as highly instructive clinical practice applications. The hallmark of this book is that it directs dental diagnosis and treatment toward controlling infection and establishing an oral environment that is conducive to the overall health and well-being of the patient. Interrelationships between oral and systemic health are emphasized throughout, and advanced technologies and techniques such as oral, plastic and reconstructive surgery, and dental implant surgery are key components.

• All goals and objectives of the American Academy of Periodontology's Vision 2020 program are addressed, highlighting the most up-to-date information on periodontal medicine.
• Content is organized to coincide with the AAP's Vision 2020 Objectives.
• Full color illustrations show the tissue colors and provide critical information about diagnosis of disease and assessment of the success or failure of clinical therapy.
• Information is provided on all forms of nonsurgical and surgical therapies, including dental implant surgery and advanced surgical techniques such as guided bone regeneration, sinus augmentation, and esthetic periodontal surgery.
• The chapters dealing with mucogingival surgery, resective surgery, and the basic principles of surgery essentially make up a color atlas of periodontal practice.
• A comprehensive chapter on conscious sedation offers excellent content as an option for patients who want to be "asleep" during involved procedures.
• Information on when and how to use antibiotics and antimicrobials adds a critical component to the interrelationship between oral and systemic health.
• No other periodontal reference includes a chapter on electronic dental health records, with highly relevant content as more and more dental practices move toward becoming "paperless" offices.
• A separate chapter on the role of the dental hygienist in periodontal procedures makes this the perfect reference for in-office education.
• Information on periodontal instrumentation provides an excellent overview of the instruments that practitioners and their support staff use every day.

• Sales Rank: #634734 in Books
• Brand: Brand: Mosby
• Published on: 2004-06-17
• Original language: English
• Number of items: 1
• Dimensions: 1.81" h x 8.76" w x 11.16" l, 7.04 pounds
• Binding: Hardcover
• 764 pages

Features

• Used Book in Good Condition

About the Author
Louis F. Rose, DDS, MD, Clinical Professor of Periodontics, School of Dental Medicine, University of Pennsylvania; Professor of Surgery, Drexel University College of Medicine, Philadelphia, PA; Clinical Professor of Periodontics, School of Dental Medicine, New York University, New York, NY; Faculty, Harvard University School of Dental Medicine, Boston, MA; Brian L. Mealey, DDS, MS, Chairman and Program Director, Department of Periodontics, Wilford Hall Medical Center, Lackland Air Force Base; Clinical Assistant Professor, Department of Periodontics, University of Texas Health Science Center, San Antonio, TX; Adjunct Associate Professor, Baylor College of Dentistry, Texas A&M University System, Dallas, TX; Robert J. Genco, DDS, PhD, Distinguished Professor and Chair, School of Dental Medicine, Department of Oral Biology, State University of New York, Buffalo, NY; and Walter Cohen, DDS, FACD, Dean Emeritus and Professor of Periodontics

Most helpful customer reviews

17 of 17 people found the following review helpful.
A must-have textbook
By Casey M. Campbell
This textbook, written and edited by the field's leading experts, has been needed for quite a while. It includes all the necessary information that any perio text should have---chapters on etiology, prognosis, treatment, etc---but goes above and beyond. With chapters covering complex suture techniques, systemic disease links, microsurgery, implants, medically-compromised pts, conscious sedation, and surgical principles, this text is the first truly comprehensive lesson in periodontics. The high-quality color photos set the bar high for future textbooks on the subject, and it belongs in the library of not only residents but accomplished clinicians.

3 of 3 people found the following review helpful.
Phenomenal photos
By shanthi madireddi dds
I bought this book to supplement hands on trainings in periodontal surgery.
More than half of the pages contain beautiful photographs, color pictures, and diagrams with easy to follow and extensive explanations.
It covers everything from cellular development to implants.
This book is by far one of the best clinical guides written about the periodontium and periodontal surgery.

0 of 0 people found the following review helpful.
Excellent condition
By Elizabeth
The item was described as used but when it arrived, the condition was pristine. The book itself has lots of glossy colored pictures. Very happy with this purchase. The only thing missing is a step by step on how to perform crown lengthening surgeries.

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[U279.Ebook] Download PDF Pete the Cat and the Treasure Map, by James Dean

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New York Times bestselling author and artist James Dean brings us a fun, epic sea adventure with Captain Pete in Pete the Cat and the Treasure Map! Includes over 30 fun stickers.

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• Sales Rank: #768 in Books
• Published on: 2017-03-07
• Released on: 2017-03-07
• Original language: English
• Dimensions: 8.00" h x .5" w x 8.00" l, .65 pounds
• Binding: Paperback
• 24 pages

About the Author

James Dean’s art has sold in more than ninety galleries and shops across the United States. He has devoted his paintings to Pete the Cat for fifteen years and has turned his natural love for cats into his life’s work. James published his first adult book, The Misadventures of Pete the Cat, a history of his artwork, in 2006. He illustrated his first self-published children’s book, Pete the Cat: I Love My White Shoes, in 2008, and the follow-up book, Pete the Cat: Rocking in My School Shoes, in 2011. James lives in Savannah, Georgia, with his wife, four cats, and one dog. You can visit him online at www.petethecat.com.

James Dean’s art has sold in more than ninety galleries and shops across the United States. He has devoted his paintings to Pete the Cat for fifteen years and has turned his natural love for cats into his life’s work. James published his first adult book, The Misadventures of Pete the Cat, a history of his artwork, in 2006. He illustrated his first self-published children’s book, Pete the Cat: I Love My White Shoes, in 2008, and the follow-up book, Pete the Cat: Rocking in My School Shoes, in 2011. James lives in Savannah, Georgia, with his wife, four cats, and one dog. You can visit him online at www.petethecat.com.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great Adventure Read!
By Nancy
Super art in this "Pete the Cat" book. Such a fun adventure for a second grader, just loving books she can read.

0 of 0 people found the following review helpful.
My 4 year old loves it
By mg
Another winner! Would definitely recommend to all.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
My son likes this book and fast shipping

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• Sales Rank: #358 in Books
• Published on: 2017-02-07
• Released on: 2017-02-07
• Original language: English
• Dimensions: 9.00" h x .60" w x 6.00" l,
• Binding: Paperback
• 224 pages

About the Author
What happens when you team up renowned scientist and inventor, Ashley Black, body�guru to the stars, billionaires, and royals; with Joanna Hunt, best-selling ghostwriter who has�worked with the top inspirational authors of our time? A�dynamic interplay of science and�inspiration packaged in a light-hearted, down-to-earth style that every person can digest and grab�hold of. When their paths crossed serendipitously one day, they knew they were destined to work�with each other to bring Ashley’s life-changing discoveries to the world.

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[T915.Ebook] Ebook La ni�a alemana (The German Girl Spanish edition): Novela (Atria Espanol), by Armando Lucas Correa

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Una novela inolvidable ambientada en el Berlín de la primavera de 1939, la Cuba pre- y postrevolucionaria y el Nueva York después del 11 de septiembre.

Antes de que todo se desmoronara, Hannah Rosenthal y sus padres tenían una vida encantadora. Su familia, una de las más distinguidas en los altos círculos sociales berlineses, era admirada por amigos y vecinos. Ahora en 1939, Berlín se ha teñido de los colores blanco, rojo y negro de una bandera que no reconocen como suya. Hannah se refugia con su mejor amigo, Leo Martin, en los callejones y parques de una ciudad que ya no los quiere. Los dos niños hacen un pacto: pase lo que pase, se prometen un futuro juntos.

Un rayo de esperanza les llega a los Rosenthal y los Martin: el Saint Louis, un enorme y lujoso trasatlántico partirá de Hamburgo a Cuba con más de novecientos refugiados judíos. En la medida que todos los pasajeros se van llenando de ilusión por el brillante futuro que les espera, el amor de Hannah y Leo florece entre juegos, bailes de disfraces y cenas exquisitas. Hasta que empiezan a llegar noticias funestas desde La Habana cuyo gobierno prohíbe al barco atracar en el puerto. El majestuoso navío, que parecía la única salvación para ellos, podría terminar convirtiéndose en su pena de muerte.

Siete décadas más tarde, en Nueva York, a punto de cumplir sus doce años, Anna Rosen recibe, procedente de Cuba, un misterioso sobre de Hannah, su tía abuela, a quien nunca conoció. En un intento por armar el rompecabezas del pasado de su familia, Anna y su madre deciden viajar a encontrarse con Hannah. Al entrelazar el dolor del pasado con los misterios del presente, revive la memoria de un apellido olvidado y, a su vez, les rinde honor a aquellos que amó y que trágicamente perdió.

• Sales Rank: #39824 in Books
• Published on: 2016-10-18
• Released on: 2016-10-18
• Original language: Spanish
• Number of items: 1
• Dimensions: 8.25" h x .90" w x 5.31" l, .0 pounds
• Binding: Paperback
• 368 pages

Review
"Con pudor y valentía Armando Lucas Correa ha entretejido la historia de varias vidas sumidas en el dolor y la fatalidad de los totalitarismos. Entre la Alemania de 1939, el Nueva York y la Cuba actuales, La niña alemana es un canto vital a la libertad, al amor y a la justicia. La infancia sometida al terror, el inevitable exilio, la búsqueda de la identidad, descritos a través de las miradas de dos mujeres que viven constantemente en la urgencia de la salvación, con un lenguaje preciso y respetuoso de las distintas épocas por las que se deslizan sus episodios. Historia y emoción se unen para vencer al olvido en uno de los más fascinantes y extraordinarios acontecimientos literarios de los últimos tiempos."  (Zoé Valdés autora de La mujer que llora)

About the Author
Armando Lucas Correa es un galardonado periodista, autor y el editor de People en Español. Ha ganado varios premios de la Asociación Nacional de Publicaciones Hispanas (NAHP) y la Sociedad de Periodistas Profesionales (SPJ). La niña alemana es su primera novela. Actualmente vive en Manhattan, Nueva York, con sus tres hijos.

Excerpt. © Reprinted by permission. All rights reserved.
La niña alemana (The German Girl Spanish edition) Hannah Berlín, 1939
Voy a cumplir doce años y ya lo he decidido: mataré a mis padres.

Me acuesto y espero que se duerman. Papá cerrará con llave todas las ventanas dobles, correrá las cortinas de terciopelo verde bronce y repetirá las mismas frases de cada noche después de la cena, que en los últimos días se ha convertido en un plato humeante de sopa desabrida.

—No hay nada más que hacer. Ya no podemos seguir aquí; tenemos que irnos.

Mamá comienza a gritarle. La voz se le quebranta mientras lo culpa y camina desesperada por toda la casa —el único espacio que conoce desde hace más de cuatro meses—, hasta que su cuerpo se agota, abraza a papá y deja de gemir.

Esperaré un par de horas. No puede haber resistencia. Papá está resignado, lo sé. Se dejará ir. Será más difícil con mamá, pero con los somníferos que toma, caerá en un sueño profundo, bañada en su esencia de jazmines y geranios. Cada día aumenta la dosis. Las últimas noches sus propios gritos la han despertado. Cuando corro a ver qué pasa, por la puerta entreabierta solo distingo a mamá desconsolada en los brazos de papá, como una niña que se recupera de una terrible pesadilla. Su peor pesadilla es estar despierta.

Mi llanto ya nadie lo escucha. Soy fuerte, dice papá. Puedo sobrevivir lo que me venga. Mamá, no: se está consumiendo de dolor.

Ella es ahora la bebé de una casa donde ya no entra la luz del día. Hace cuatro meses que llora todas las noches, desde que la ciudad se cubrió de cristales rotos y se impregnó de un olor a polvo, metal y humo que se ha hecho perenne.

Entonces comenzaron a planificar nuestra huida. Decidieron que abandonaríamos la casa donde nací, me sacaron de una escuela donde ya no me quieren y papá me regaló mi segunda cámara fotográfica.

—Para que dejes huellas, como el hilo de Ariadna para salir del laberinto —susurró.

Me atreví a pensar que lo mejor sería deshacerme de ellos.

Una posibilidad era diluirle aspirinas en la comida a papá, desaparecerle las pastillas de dormir a mamá. Ella no hubiera sobrevivido una semana.

El problema era la incertidumbre. No sabía qué cantidad de aspirinas debía consumir papá para sufrir una úlcera mortal, una hemorragia interna. O cuánto tiempo podría ella realmente estar sin dormir. Una variante sangrienta sería imposible: no puedo ver sangre; comienzo a sudar frío y me desmayo. Así que lo mejor será que terminen sus días por asfixia. Ahogarlos con una enorme almohada de plumas. Mamá ha dejado bien claro que su sueño siempre ha sido que la muerte la sorprenda mientras duerme. No me gustan las despedidas, me aclara mirándome a los ojos, y si no la atiendo me toma por el brazo y me sacude con las escasas fuerzas que le quedan.

Una noche me desperté sobresaltada, pensando que mi crimen se había consumado. Vi los cuerpos inertes de mis padres y no pude derramar una sola lágrima. Me sentí libre. Ya nadie podría obligarme a mudarme a un barrio sucio, a dejar mis libros, mis fotografías, a vivir con la zozobra de poder ser envenenada por mis propios padres.

Comencé a temblar. Grité “¡Papá!”, pero nadie vino a rescatarme. ¡Mamá! No había vuelta a atrás. En qué me había convertido. No sabía cómo deshacerme de sus cuerpos. ¿Cuánto tiempo durarían sin descomponerse?

Pensarán que fue un suicidio. Nadie lo dudaría: desde hace cuatro meses que no dejan de sufrir. Para los demás yo sería una huérfana; para mí, una asesina.

Mi crimen estaba registrado en el diccionario. Lo encontré. Qué palabra tan horrenda. Solo de pronunciarla me provocaba escalofríos: parricida. Traté de repetirla y no pude. Era una asesina.

Qué fácil es identificar mi delito, mi culpa, mi agonía. ¿Cómo llamar al que mata a sus hijos? Es un crimen tan atroz que no hay término para identificarlo en el diccionario: podrán salirse con la suya, y yo tendré que llevar el peso de la muerte y una palabra nauseabunda sobre mis espaldas. Uno puede matar a sus padres, a sus hermanos, pero no a sus hijos.

Doy vueltas por las habitaciones, que cada vez veo más pequeñas y oscuras, de una casa que pronto no será nuestra. Miro hacia el techo inalcanzable, atravieso los pasillos donde descansan las imágenes de una familia que ha ido desapareciendo. La luz de la lámpara de la biblioteca de papá, con su pantalla de cristal nevado, llega al pasillo donde me mantengo inmóvil, desorientada, y veo mis manos teñirse de dorado.

Abro los ojos, y sigo en la misma habitación, rodeada de libros gastados y muñecas con las que nunca jugaré. Cierro los ojos y presiento que falta poco para nuestra huida a bordo de un enorme trasatlántico, desde un puerto de este país al que nunca pertenecimos.

Al final, no los maté. No fue necesario. Mis padres cargaron con la culpa: me obligaron a lanzarme con ellos al abismo.



El olor de la casa se ha vuelto intolerable. No entiendo cómo mamá puede vivir entre estas paredes tapizadas de una seda verde musgo que traga la poca luz durante esta época del año. Es el olor del encierro.

Nos queda menos tiempo de vida. Lo sé, lo intuyo. Ya no pasaremos el verano en Berlín.

Mamá tiene los escaparates llenos de naftalina para preservar su presente, y ese olor punzante ha impregnado la casa. No sé qué quiere conservar, si todo lo vamos a perder.

—Hueles como las viejas de la Grosse Hamburger Strasse —me echa en cara Leo, mi único amigo. Solo él se atreve a mirarme de frente sin deseos de escupirme.

Desde que vino a casa con su padre, Herr Martin, Leo y yo nos hemos vuelto inseparables. Papá los invitó a cenar con nosotros a su regreso de un mes de reclusión, el día que se lo llevaron de la Universidad aquella noche terrible de noviembre y no supimos más de él hasta que lo liberaron.

Las primaveras en Berlín son frías y lluviosas. Hoy papá se fue temprano y no se llevó su abrigo. Las últimas veces que ha salido, no espera por el elevador y baja por la escalera que cruje a su paso, algo que a mí no me permiten hacer. No lo hace porque esté apurado: es que no quiere toparse con nadie del edificio. Las cinco familias que ocupan cada uno de los pisos bajo el nuestro, esperan nuestra partida. Los que eran amigos han dejado de serlo. Los que antes agradecían a papá o trataban de codearse con mamá y sus amigas, celebraban su buen gusto al vestir o pedían consejos de cómo combinar una cartera de color atrevido con unos zapatos a la moda, ahora nos desprecian y están a punto de denunciarnos.

En cuanto a mamá, pasa un día más sin salir. Todas las mañanas, al levantarse, se recoge la hermosa cabellera que sus amigas envidiaban cuando aparecía en el salón de té del Hotel Adlon, y se pone sus pendientes de rubíes. Papá la llama la Divina por la manera en que le fascina el cine, su único contacto con lo mundano. Nunca perdía un estreno de la verdadera Divina en el Palast.

—Ella es más alemana que nadie —insistía al hablar de la Divina, que en realidad era sueca. Pero en aquellos años el cine era mudo: a quién le importaba dónde había nacido la estrella.

—Nosotros la descubrimos. Siempre supimos que sería adorada. La celebramos antes que nadie, por eso fue que Hollywood se fijó en ella. Y en su primera película sonora habló en perfecto alemán: “Whisky — aber nicht zu knapp! ”.

A veces volvían del cine y mamá aún lloraba:

—Me encantan los finales tristes… en el cine —dejaba bien claro—. La comedia no se hizo para mí.

Se desvanecía en los brazos de papá, se llevaba una mano a la frente, con la otra sostenía la cola de seda de un vestido que caía en cascada, inclinaba la cabeza hacia atrás y comenzaba a hablar en francés.

—Armand, Armand… —repetía, lánguida y con un fuerte acento, como el de la Divina.

Y papá la llamaba “mi Camille”.

—Espère, mon ami, et sois bien certain d’une chose, c’est que, quoi qu’il arrive, ta Marguerite te restera —le respondía ella entre carcajadas—. Es que Dumas suena terrible en alemán.

Mamá ya no sale a ninguna parte.

—Demasiadas vidrieras rotas —es su pretexto desde el terrible pogromo de noviembre.

Aquel día papá se quedó sin trabajo. Lo detuvieron en su oficina, se lo llevaron a la estación de la Grolmanstrasse, incomunicado por un delito que nunca entendimos. Allí compartió una celda sin ventanas con Herr Martin, el papá de Leo. Ahora se reúne con él a diario y mamá se preocupa aún más, como si estuvieran tramando una huida para la que ella aún no está lista.

En realidad, es el miedo lo que no le permite abandonar la que suponía su impenetrable fortaleza. Vive en un constante sobresalto. Antes visitaba el elegante salón del Hotel Kaiserhof, unas cuadras al sur, pero ahora lo frecuentan los que nos odian, los que se creen puros, aquellos a quienes Leo llama Ogros.

En una época, ella se vanagloriaba de Berlín. Si iba de compras a París, siempre se alojaba en el Ritz; y si acompañaba a papá a una conferencia o a un concierto en Viena, en el Imperial.

—Pero nosotros tenemos el Adlon, nuestro Gran Hotel en la Unter den Linden. La Divina se hospedó allí y lo inmortalizó en el cine.

Ahora, se asoma a la ventana e intenta encontrar una explicación a lo que le sucede. Dónde quedaron sus años felices. A qué ha sido condenada, y por qué. Siente que paga culpas de otros: de sus padres, de sus abuelos, de cada uno de sus ancestros por los siglos de los siglos.

—Soy alemana, Hannah. Soy una Strauss. Soy Alma Strauss. ¿Acaso no es suficiente, Hannah? —y me lo repite un día en alemán, otro en español, otro en inglés, otro en francés. Como si alguien la estuviera escuchando, como para que quedara bien claro su mensaje en cada uno de los idiomas que conoce a la perfección.

Quedé en encontrarme con Leo para ir a tomar fotografías. Nos citamos todas las tardes en el café de Frau Falkenhorst, en el patio interior del Hackesche Höfe. Siempre que nos ve, la dueña nos llama “bandidos” con una sonrisa, y eso nos gusta. Si uno de los dos tarda más de la cuenta, el primero en llegar ordena un chocolate caliente.

A veces nos citamos en el café de la salida de la estación Alexanderplatz, con estantes llenos de bombones envueltos en papel plateado. Cuando necesita verme con urgencia, Leo me espera en el puesto de periódicos cercano a mi edificio para evitar tropezarse con alguno de nuestros vecinos que, a pesar de ser también nuestros inquilinos, nos evitan.

Para no contradecir a los adultos, renuncio a las escaleras alfombradas cada vez más llenas de polvo y tomo el elevador, que se detiene en el tercer piso.

—Hola, Frau Hofmeister —digo, y le sonrío a Gretel, con quien he jugado toda la vida. Gretel está triste, hace poco perdió a su cachorro, blanco y hermoso. Qué pena me da.

Tenemos la misma edad, pero yo soy mucho más alta. La niña baja la mirada y Frau Hofmeister se atreve a decirle:

—Vamos por la escalera. ¿Cuándo se van a ir? Nos ponen a todos en una situación tan embarazosa…

Como si yo no escuchara, como si solo mi sombra estuviera encerrada en el elevador. Como si no existiera. Es lo que ella quiere, que no exista.

Los Dittmar, los Hartmann, los Brauer y los Schultes viven en nuestro edificio. Nosotros se lo alquilamos. Le pertenece a mamá desde antes que naciera. Son ellos los que tendrían que irse. No son de aquí. Nosotros sí. Somos más alemanes que ellos.

La puerta del elevador se cierra, comienza a bajar y veo aún los pies de Gretel.

—Gente sucia —escucho.

¿Entendí bien? Papá, quisiera saber qué hicieron ustedes para que tenga yo que cargar con esto. ¿Qué crimen cometimos? No estoy sucia, no quiero que me vean sucia. Salgo del elevador y me escondo debajo de la escalera para no encontrarme de nuevo con ellas.

Las veo salir, Gretel aún va cabizbaja. Mira hacia atrás, me busca, quizás quiere pedirme disculpas, pero su madre la empuja.

—¿Qué miras? —le grita.

De vuelta a casa, corro por las escaleras, haciendo ruido y llorando. Sí, llorando de rabia, de impotencia, de no poder decirle a Frau Hofmeister que ella está más sucia que yo. Si le molestamos, que se vaya del edificio, que es nuestro edificio. Quiero dar golpes contra las paredes, romper la valiosa cámara que papá me regaló. Entro a la casa y mamá no entiende por qué estoy furiosa.

—¡Hannah! ¡Hannah! —me llama, pero prefiero ignorarla.

Entro al baño frío, doy un portazo y abro la ducha. Sigo llorando; o más bien quiero dejar de llorar y no puedo. Me meto con ropa y zapatos en la bañera esmaltada de blanco impecable, y mamá no cesa de llamarme hasta que finalmente me deja en paz. Solo oigo el ruido del agua casi hirviente caer sobre mí y dejo que penetre en mis ojos hasta hacerlos arder, en mis oídos, en mi nariz, en mi boca.

Comienzo a quitarme la ropa y los zapatos, ahora más pesados por el agua y por mi suciedad. Me enjabono, me unto las perfumadas sales de baño de mamá que me irritan la piel y comienzo a frotarme con una toalla blanca para quitarme el más mínimo rastro de impureza. Mi piel está roja, tan roja como si la fuera a perder. Pongo el agua más caliente aún, hasta que no resisto y al salir, me desplomo en el suelo de baldosas frías, blancas y negras.

Por suerte se me agotaron las lágrimas. Me seco, maltratando esta piel que no deseo y que ojalá comience a mudar después del calor al que la he sometido.

Frente al espejo nublado reviso cada poro: la cara, las manos, los pies, las orejas, todo, para ver si queda algún vestigio de impureza. Quisiera saber ahora quién es la que está sucia.

Me escondo, temblorosa, en una esquina. Me reduzco, me siento como un rollo de carne y hueso. Es ese el único refugio que encuentro. Al final, sé que por mucho que me bañe, que me queme la piel, me corte el cabello, me saque los ojos, me quede sorda, me vista, hable o me llame diferente, siempre me verán sucia.

No sería mala idea llamar a la puerta de la distinguida Frau Hofmeister, le diré que me revise, que vea que no tengo ni una minúscula mancha en la piel, que no es necesario que aleje a Gretel de mí, que no soy una mala influencia para su niña, tan rubia, perfecta e inmaculada como yo.

Voy a mi cuarto y me visto de blanco y rosa, lo más puro que encuentro en mi armario. Busco a mamá y la abrazo porque sé que ella me entiende, pero ella se queda en casa, sin confrontar a nadie. Ha creado una coraza en su habitación, protegida a su vez por las gruesas columnas del apartamento, dentro de un edificio de enormes bloques y ventanas dobles.

Tengo que apurarme. Leo ya debe estar en la estación, yendo de un lugar a otro, saltando, esquivando a quienes corren para no perder el tren.

Al menos, sé que él me ve limpia.

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7 of 7 people found the following review helpful.
"Nos rechazaban en cada continente"
By Sara Andrea
Desde muy pequeña me propuse leer y mirar todo lo relacionado con el Holocausto. Sin embargo, hasta hace poco nunca había escuchado sobre el St. Louis y sus pasajeros judíos rechazados. ¿Cómo es posible?

"La niña alemana" cuenta una historia que muchos trataron de barrer debajo de la alfombra porque apunta a la culpa compartida de quienes no hicieron nada. Cuba, los Estados Unidos, Canadá. Todos rechazaron a los refugiados del St. Louis. Muchos otros países les negaron visas a los miles, millones de hombres, mujeres y niños que trataban de escapar a la persecución y a una muerte segura. Los dejamos morir.

La belleza de este fascinante libro de Armando Lucas Correa es que conocemos la historia del St. Louis a través de la joven Hannah Rosenthal y, muchos años después, su sobrina nieta Anna. Caminamos por las calles de un Berlín dominado por los Nazi, correteamos junto a ella y su mejor amigo Leo mientras ven que el mundo que conocen y aman se derrumba a su alrededor, sentimos su miedo. Y nos preguntamos quienes fueron las peores víctimas, los que murieron o quienes sobrevivieron.

Los 937 pasajeros del St. Louis podrían ser sólo un número. En "La niña alemana" finalmente tienen una voz. Hannah es su voz. Sus sueños son los de ellos, sus sufrimientos son los de ellos.

Haz este viaje con ella. Deambula por las calles de su infancia, zarpa a Cuba, vive con ella y sus recuerdos y sus fantasmas. Conoce a la niña alemana y trata de no llorar. Te desafío.

2 of 2 people found the following review helpful.
Needs to be proofread better -- there were typos and words that were hyphenated ...
By Leslie Tabarez
Needs to be proofread better -- there were typos and words that were hyphenated in the middle of a line for no reason. Very interesting story, but sad. I felt a contrast between the hopelessness and sense of doom Hannah and her mother felt and their intelligence and financial stability that might have allowed them to fulfill that dream of making it to the US. Most of the characters were clearly and well defined, but something was lacking as to the description of Hannah's brother, Gustav, and his son, Louis. How did it affect Gustav to marry another Jewish woman, whose family situation was similar to his, and how were they affected by the Cuban Revolution in such a different way than Hannah and her mother? How did Hannah and her mother manage to keep the house after the Revolution, and live without working? How did living in Cuba affect their personalities after living in Berlin and why didn't they ever make it to NY? What were the repercussions for Captain Gustav and the crew of the Saint Louis for being kind and humane to their Jewish passengers? What was the rest of his life like? So many questions, which may some day be answered in a sequel. I couldn't put the book down while reading it.

5 of 5 people found the following review helpful.
Simplemente espectacular, me cautivó desde el principio,reí, lloré y viví con sus personajes a demás aprendí de la tragedia del
By luna
Espectacular ,sencillo,directo y emocionante, te transporta de la risa al llanto e invita a la reflexión ,recorrí las calles de mi barrio

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200 years of Latino History in Philadelphia is a rich visual account of the history of Latinos in the city. It traces the development of distinct neighborhoods and institutions, and provides a uniquely intimate portrait of a community.�

Broken into four sections, the book documents the city’s earliest Latino public figures, including Father F�lix Varela, the 19th-century Cuban emigre who established the first Spanish-language newspaper.� The second section collects snapshots of the Latino community from 1950 to 1980. Many of these were selected from personal photo albums and reflect the seldom-documented day-to-day lives of Latinos. Professional photos showcase the years 1980 to 1990, and the final section of the book documents the past twenty years in the community through Al D�a’s weekly news coverage.

• Sales Rank: #2985911 in Books
• Published on: 2012-11-19
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .90" w x 8.50" l, 2.35 pounds
• Binding: Hardcover
• 200 pages

About the Author

AL DIA News Media is the leading Latino News Media in the Philadelphia Region.�AL DIA is a national award-winning publication, recognized several times for its editorial quality by the National Association of Hispanic Publications and the Society of Newspaper Designers.�AL DIA seeks to be an exceptional American news media company that truthfully portrays Latinos in the US and bolsters their unique voice to further strengthen America.��

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0 of 0 people found the following review helpful.
Five Stars
By Sridhar Krishnan
Just love the years of contributions to this great country on earth!

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• Published on: 1800
• Binding: Paperback

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In this updated and revised second edition, the authors present a systematic and practical approach to the analytical and numerical aspects of the prediction of rotordynamics behaviour. The influence of bending is a main theme of the book, although the effects of torsion are also considered. The use of finite element techniques and the characteristics of rotor elements are introduced. The book goes on to consider simple models showing basic phenomena which are then linked to industrial applications such as turbocompressors, high pressure centrifugal compressors, and steam and air turbines. Key features include:
* The inclusion of a computer program available free of charge on the Internet
* The development of a simple model of co-axial multirotors
* New industrial applications and 1995 API specifications
This book will be of great interest and value to students and engineers concerned with predictions in rotordynamics and mechanical engineering.

• Sales Rank: #4543238 in Books
• Published on: 1998-01-28
• Original language: English
• Number of items: 1
• Dimensions: 9.55" h x .78" w x 6.46" l, 1.11 pounds
• Binding: Hardcover
• 266 pages

From the Publisher
A systematic and practical approach to the analytical and numerical aspects of the prediction of rotordynamics behavior. Opening with a presentation of the characteristics of rotor elements, the book goes on to consider simple models showing basic phenomena and introduces the use of finite element techniques.

From the Back Cover
In this updated and revised second edition, the authors present a systematic and practical approach to the analytical and numerical aspects of the prediction of rotordynamics behaviour. The influence of bending is a main theme of the book, although the effects of torsion are also considered. The use of finite element techniques and the characteristics of rotor elements are introduced. The book goes on to consider simple models showing basic phenomena which are then linked to industrial applications such as turbocompressors, high pressure centrifugal compressors, and steam and air turbines. Key features include:

• The inclusion of a computer program available free of charge on the Internet
• The development of a simple model of co-axial multirotors
• New industrial applications and 1995 API specifications

This book will be of great interest and value to students and engineers concerned with predictions in rotordynamics and mechanical engineering.

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The Third Edition of Interdisciplinary Research: Process and Theory offers a comprehensive and systematic presentation of the interdisciplinary research process and the theory that informs it. Authors Allen F. Repko and Rick Szostak illustrate each step of the decision-making process by drawing on student and professional work from the natural sciences, social sciences, humanities, and applied fields. Designed for active learning and problem-based approaches as well as for more traditional approaches, the book now includes more examples from real student research projects and adds more tables and figures to enliven the discussion.

• Sales Rank: #117868 in Books
• Published on: 2016-05-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 7.40" l, .0 pounds
• Binding: Paperback
• 464 pages

Review
“From undergraduates to seasoned research teams, Repko and Szostak make interdisciplinary research accessible to all by the grounding of elusive concepts in a systematic approach to the study of complex problems. This text is vital to interdisciplinary studies and should be implemented in all interdisciplinary and integrative programs.”  (Jennifer P. Anderson)

PRAISE FOR THE PREVIOUS EDITION

“This is the premier text for interdisciplinary research and advances all ‘studies’ fields through its systematic treatment of the interdisciplinary research process. By explaining interdisciplinary research as a process, Repko gives students the framework needed to carry out valuable and forward-thinking research.” (James Lacey)

“An outstanding contribution to the field, suitable for beginners and advanced researchers alike.” (Andrew T. Arroyo)

“Repko gives relevant examples and carries them through the entire text, building on disciplinary insights while focusing on interdisciplinary integration.”  (Dave Conz)

About the Author

Allen F. Repko, PhD, is the former director of the interdisciplinary studies program in the School of Urban and Public Affairs at the University of Texas at Arlington, where he developed and taught the program’s core curriculum for many years. The program is one of the largest in the United States. Repko has written extensively on all aspects of interdisciplinary studies, has twice served as coeditor of the interdisciplinary journal Issues in Integrative Studies, and has served on the board of the Association for Interdisciplinary Studies (AIS). Though recently “retired,” he continues to write and speak at AIS conventions, where he conducts annual workshops on interdisciplinary program development and assessment. He can be contacted at allenrepko@att.net.

Rick Szostak, PhD, is a professor of economics at the University of Alberta, where he has taught for 31 years. He is the author of a dozen books and 50 articles, all of an interdisciplinary nature. Several of his publications address how to do interdisciplinary research, teach interdisciplinary courses, administer interdisciplinary programs, or organize information in order to facilitate interdisciplinarity. As an associate dean, he created the Office of Interdisciplinary Studies at the University of Alberta, the Science, Technology and Society program, an individualized major, and two courses about interdisciplinarity. He has twice served as coeditor of the interdisciplinary journal Issues in Integrative Studies. He was president of the Association for Interdisciplinary Studies (AIS) from 2011 to 2014. He can be contacted at rszostak@ualberta.ca.

 

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0 of 0 people found the following review helpful.
The language is easy to understand
By Riki Kiki Taco
It's a text book required for my class. The language is easy to understand, sometimes a little too easy. It does the job of a text book and aids my understanding of the material.

2 of 4 people found the following review helpful.
Boring, repetitive
By James L. Holland II
Boring, repetitive, and hard to finish. Each chapter seems like a restatement of the last. This book reads as if it's an ongoing justification for Interdisciplinary Studies. Lots of theory and terminology, little in terms of concrete steps to take.

0 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Brand new

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